{"id":25,"date":"2020-06-28T10:42:42","date_gmt":"2020-06-28T10:42:42","guid":{"rendered":"http:\/\/archdis.projects.unibz.it\/?page_id=25"},"modified":"2020-11-02T16:57:09","modified_gmt":"2020-11-02T16:57:09","slug":"conversations","status":"publish","type":"page","link":"https:\/\/archdis.projects.unibz.it\/home\/conversations\/","title":{"rendered":"Conversations"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-25","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Conversations - 5X2 Summer Conversations<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/archdis.projects.unibz.it\/home\/conversations\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conversations - 5X2 Summer Conversations\" \/>\n<meta property=\"og:url\" content=\"https:\/\/archdis.projects.unibz.it\/home\/conversations\/\" \/>\n<meta property=\"og:site_name\" content=\"5X2 Summer Conversations\" \/>\n<meta property=\"article:modified_time\" content=\"2020-11-02T16:57:09+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/archdis.projects.unibz.it\\\/home\\\/conversations\\\/\",\"url\":\"https:\\\/\\\/archdis.projects.unibz.it\\\/home\\\/conversations\\\/\",\"name\":\"Conversations - 5X2 Summer Conversations\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/archdis.projects.unibz.it\\\/home\\\/#website\"},\"datePublished\":\"2020-06-28T10:42:42+00:00\",\"dateModified\":\"2020-11-02T16:57:09+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/archdis.projects.unibz.it\\\/home\\\/conversations\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/archdis.projects.unibz.it\\\/home\\\/conversations\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/archdis.projects.unibz.it\\\/home\\\/conversations\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\\\/\\\/archdis.projects.unibz.it\\\/home\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Conversations\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\\\/\\\/archdis.projects.unibz.it\\\/home\\\/#website\",\"url\":\"http:\\\/\\\/archdis.projects.unibz.it\\\/home\\\/\",\"name\":\"5X2 Summer Conversations\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\\\/\\\/archdis.projects.unibz.it\\\/home\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Conversations - 5X2 Summer Conversations","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/archdis.projects.unibz.it\/home\/conversations\/","og_locale":"en_US","og_type":"article","og_title":"Conversations - 5X2 Summer Conversations","og_url":"https:\/\/archdis.projects.unibz.it\/home\/conversations\/","og_site_name":"5X2 Summer Conversations","article_modified_time":"2020-11-02T16:57:09+00:00","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/archdis.projects.unibz.it\/home\/conversations\/","url":"https:\/\/archdis.projects.unibz.it\/home\/conversations\/","name":"Conversations - 5X2 Summer Conversations","isPartOf":{"@id":"http:\/\/archdis.projects.unibz.it\/home\/#website"},"datePublished":"2020-06-28T10:42:42+00:00","dateModified":"2020-11-02T16:57:09+00:00","breadcrumb":{"@id":"https:\/\/archdis.projects.unibz.it\/home\/conversations\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/archdis.projects.unibz.it\/home\/conversations\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/archdis.projects.unibz.it\/home\/conversations\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/archdis.projects.unibz.it\/home\/"},{"@type":"ListItem","position":2,"name":"Conversations"}]},{"@type":"WebSite","@id":"http:\/\/archdis.projects.unibz.it\/home\/#website","url":"http:\/\/archdis.projects.unibz.it\/home\/","name":"5X2 Summer Conversations","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/archdis.projects.unibz.it\/home\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 2,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 2,\r\n  \"topFrameMargin\": 6.3,\r\n  \"bottomFrameMargin\": 2,\r\n  \"rowAttrs\": [\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"html\",\r\n      \"cont\": \"<div class=\\\"whole\\\">\\n    <div class=\\\"division\\\">\\n        \\n    <div class=\\\"theme a\\\">\\n<input id=\\\"faq-1\\\" type=\\\"checkbox\\\" \/>\\n<h2 class=\\\"_SectionTitle\\\"><label for=\\\"faq-1\\\"><span class=\\\"_Big\\\">01<\/span> <br\/> <span class=\\\"_Theme\\\">PROMISES<\/span><\/label><\/h2>\\n<p class=\\\"full-size _SectionText\\\"> \\n<span class=\\\"info-01 _Info\\\">09.07.20<br\/>6pm CEST<\/span>\\n<span class=\\\"_Convo\\\">A conversation with (ab)Normal and Saskia van Stein moderated by Nina Bassoli<\/span>\\n<br\/>\\n<br\/>\\nEspecially during times of crisis, for instance in the Seventies and most of all \\nin the last decade, architects often test in exhibitions project ideas that could \\nnot be realized with the same promptness in the \u2018real world\u2019. In this context, architecture \\non display moves in the field of abstraction, and takes distance from the building constraints, \\nusing freer or more analytical forms of thought. Not only the so-called academic research, \\nbut also the field research related to the production of the exhibited artefact might have \\na relevant influence on the discourse around architecture and also on the production of \\narchitecture itself. Thus, the architectures on display become a wish, or a promise, capturing \\nthe most pressing issues of the contemporary debate and producing new hybrid figures of \\narchitect-researchers. Will the act of building be able to keep the promises made by the exhibition?\u00a0\\n<br\/>\\n<br\/>\\n<span class=\\\"_Convo\\\">(ab)Normal<\/span> is a creative agency engaged in the multidisciplinary exploration \\nof design, architecture, scenography and graphic design.\\n<br\/>\\n<br\/>\\n<span class=\\\"_Convo\\\">Saskia van Stein<\/span> is Head of the Critical Inquiry Lab at \\nthe Design Academy Eindhoven.\\n<br\/>\\n<br\/>\\n<span class=\\\"_Join\\\"><span style=\\\"text-decoration: underline;\\\"><a target=\\\"_blank\\\" href=\\\"https:\/\/scientificnet.zoom.us\/j\/91218130727?pwd=cVNJQzRPV29aS1N4ZUM1ODFXVUpRQT09\\\">Join Conversation<\/a><\/span> | PW: 854262<\/span>\\n<br\/>\\n<br\/>\\n<\/p>\\n<\/div> \\n<div class=\\\"vertical-line aa\\\"><\/div>\\n\\n    <div class=\\\"theme b\\\">\\n        <input id=\\\"faq-2\\\" type=\\\"checkbox\\\" \/>\\n<h2 class=\\\"_SectionTitle\\\"><label for=\\\"faq-2\\\"><span class=\\\"_Big\\\">02<\/span> <br\/> <span class=\\\"_Theme\\\">SURROGATES<\/span><\/label><\/h2>\\n<br\/>\\n<p class=\\\"full-size _SectionText\\\"> \\n<span class=\\\"info _Info\\\">16.07.20<br\/>8.30pm CEST<\/span>\\n<span class=\\\"_Convo\\\">A conversation with Francesco Garutti and Veronique Patteeuw moderated by L\u00e9a-Catherine Szacka<\/span>\\n<br\/>\\n<br\/>\\nSince their emergence in the 18th century, architecture exhibitions have produced surrogates \\nto buildings, pale copies of what stands outside and cannot enter the space of the gallery. \\nUsing technical drawings, models, photographs, and other artefacts, and facilitating acts of \\nmental reconstruction, curators have restored original artefacts both presented and represented \\nin exhibitions. But what if there is no original? What does the exhibition produce when the \\ndisplay goes beyond mere presentation\/representation of something that lies elsewhere?\u00a0\\n<br\/>\\n<br\/>\\n<span class=\\\"_Convo\\\">Francesco Garutti<\/span> is Curator Contemporary Architecture at the Canadian Centre for Architecture \\nCCA in Montr\u00e9al.\\n<br\/>\\n<br\/>\\n<span class=\\\"_Convo\\\">Veronique Patteeuw<\/span> is academic editor of OASE, associate professor at the Ecole National \\nSup\u00e9rieure d\u2019Architecture et du Paysage Lille and visiting professor at the KU Leuven.\\n<br\/>\\n<br\/>\\n<span class=\\\"_Join\\\"><span style=\\\"text-decoration: underline;\\\"><a target=\\\"_blank\\\" href=\\\"https:\/\/scientificnet.zoom.us\/j\/92467311378?pwd=UVdHd2NFWTVLNkhxSnltM05aY0Fjdz09\\\">Join Conversation<\/a><\/span> | PW: 854262<\/span> \\n<br\/>\\n<br\/>\\n<\/p>\\n<\/div>\\n<div class=\\\"vertical-line bb\\\"><\/div>\\n\\n    <div class=\\\"theme c\\\">\\n        <input id=\\\"faq-3\\\" type=\\\"checkbox\\\" \/>\\n<h2 class=\\\"_SectionTitle\\\"><label for=\\\"faq-3\\\"><span class=\\\"_Big\\\">03<\/span> <br\/> <span class=\\\"_Theme\\\">TRANSGRESSIONS<\/span><\/label><\/h2>\\n\\n<br\/>\\n<p class=\\\"full-size _SectionText\\\"> \\n<span class=\\\"info _Info\\\">23.07.20<br\/>6pm CEST<\/span>\\n<span class=\\\"_Convo\\\">A conversation with Andres Jaque and Carlos M\u00ednguez Carrasco moderated by Roberto Gigliotti<\/span>\\n<br\/>\\n<br\/>\\nIn all the forms that it takes, an architecture exhibition always represents \\na privileged experimentation territory. This also means transgression of the \\ndisciplinary rules and traditional tools, devices and media used for the production \\nof the artefacts presented in the show. Freed from both representation constraints, \\nstandards and norms connected to construction, the \u201cexhibition architect\u201d shows space \\nusing space and produces hybrids results that he\/she deliberately exposes to the influence \\nof other disciplines, art above all. Putting architecture in touch with other disciplines \\nleads us to see it through different eyes: one discipline reveals the other. Once disciplinary \\nborders are questioned, there is no pre-defined medium or format for the exhibits contained \\nin an architecture show. Today video, photography, visual arts and also \\nperformativity are not unexpected guests in the context of the architecture exhibition\u2026\u00a0\\n<br\/>\\n<br\/>\\n<span class=\\\"_Convo\\\">Andres Jaque<\/span> is Founder Principal of the architectural practice \\nOFFPOLINN (Office for Political Innovation) and curator.\\n<br\/>\\n<br\/>\\n<span class=\\\"_Convo\\\">Carlos M\u00ednguez Carrasco<\/span> is Senior Curator at ArkDes, \\nSweden\u2019s national centre for architecture and design.\\n<br\/>\\n<br\/>\\n<span class=\\\"_Join\\\"><span style=\\\"text-decoration: underline;\\\"><a target=\\\"_blank\\\" href=\\\"https:\/\/scientificnet.zoom.us\/j\/97582415833?pwd=Q2dLY2xwbEJ5bzYzeU16dGVhbWV2UT09\\\">Join Conversation<\/a><\/span> | PW: 854262<\/span>\\n<br\/>\\n<br\/>\\n<\/p>\\n<\/div>\\n<div class=\\\"vertical-line cc\\\"><\/div>\\n\\n    <div class=\\\"theme d\\\">\\n        <input id=\\\"faq-4\\\" type=\\\"checkbox\\\" \/>\\n<h2 class=\\\"_SectionTitle\\\"><label for=\\\"faq-4\\\"><span class=\\\"_Big\\\">04<\/span> <br\/> <span class=\\\"_Theme\\\">IMAGES<\/span><\/label><\/h2>\\n\\n<br\/>\\n<p class=\\\"full-size _SectionText\\\"> \\n<span class=\\\"info _Info\\\">10.09.20<br\/>6pm CEST<\/span>\\n<span class=\\\"_Convo\\\">A conversation with Shumi Bose and Jimenez Lai moderated by Davide Tommaso Ferrando<\/span>\\n<br\/>\\n<br\/>\\nWeb and social media have expanded the space of communication beyond its material \\nboundaries, and yet, such expansion seems to have had little effects on exhibition \\nformats. On the other hand, it can\u2019t be denied that during the last decade, institutions \\nsuch as museums, Biennials and Triennials have implemented all sorts of strategies to \\ntake advantage of the potential of digital communication. Furthermore, the growing amount \\nof digital content displayed in architecture exhibitions, from drawings to videos to \\nVR installations, questions the traditional relationship between an absent original \\nand its copies and representations. What all these phenomena have in common, is the \\ntranslation of spaces into images: images that circulate at high speed on digital \\nmedia, becoming the first and often the main point of access to the exhibitions \\nthemselves. The question is, then, what happens to architecture exhibitions, once \\nthe world appears to us as an endless and unstructured collection of images, \\ntexts and other data records, as Lev Manovich writes.\u00a0\\n<br\/>\\n<br\/>\\n<span class=\\\"_Convo\\\">Shumi Bose<\/span> is Senior Lecturer and Coordinator of \\nContextual Studies in Architecture at Central Saint Martins, London.\\n<br\/>\\n<br\/>\\n<span class=\\\"_Convo\\\">Jimenez Lai<\/span> is member of the operation of cultural \\naffairs Bureau Spectacular based in Los Angeles.\\n<br\/>\\n<br\/>\\n<span class=\\\"_Join\\\"><span style=\\\"text-decoration: underline;\\\"><a target=\\\"_blank\\\" href=\\\"https:\/\/scientificnet.zoom.us\/j\/92343481784?pwd=R3RKSGZjbk42RXRXLzdyYmhKYTl1dz09\\\">Join Conversation<\/a><\/span> | PW: 854262<\/span>\\n<br\/>\\n<br\/>\\n<\/p>\\n<\/div>\\n<div class=\\\"vertical-line dd\\\"><\/div>\\n\\n    <div class=\\\"theme e\\\">\\n<input id=\\\"faq-5\\\" type=\\\"checkbox\\\" \/>\\n<h2 class=\\\"_SectionTitle\\\"><label for=\\\"faq-5\\\"><span class=\\\"_Big\\\">05<\/span><br\/><span class=\\\"_Theme\\\">TRANSFORMATIONS<\/span><\/label><\/h2>\\n\\n<br\/>\\n<p class=\\\"full-size _SectionText\\\"> \\n<span class=\\\"info _Info\\\">17.09.20<br\/>6pm CEST<\/span>\\n<span class=\\\"_Convo\\\">A conversation with Giovanna Borasi and Counterspace moderated by Roberto Gigliotti<\/span>\\n<br\/>\\n<br\/>\\nDue to its performative agency the architecture exhibition possesses, beyond other \\nmeanings, the capability of literally influencing the behaviour of its actors. \\nIn the ephemeral character of the exhibition lays one of its more powerful strengths. \\nIt concentrates an enormous amount of energy in a certain place at a certain moment \\nand this phenomenon has a big transformative potential. In this context the exhibition \\ncan be understood as an activist\u2019s tool making the appropriation of a derelict building \\nor area as well as a device capable of strengthening community interactions. These actions, \\nintegrated in the exhibition act, span from actions as temporary forms of appropriation \\nof the venues chosen for the exhibition to experiments that project visions on the \\ndevelopment of a site. 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Thus, the \\n        architectures on display become a wish, or a promise, capturing the most pressing issues \\n        of the contemporary debate and producing new hybrid figures of architect-researchers. \\n        Will the act of building be able to keep the promises made by the exhibition? \\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">(ab)Normal<\/span> is a creative agency engaged in the multidisciplinary \\n        exploration of design, architecture, scenography and graphic design. \\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">Saskia van Stein<\/span> is Head of the Critical Inquiry Lab at the \\n        Design Academy Eindhoven.\\n    <\/p>\\n<\/div>\\n\\n<div class=\\\"section\\\">\\n    <div class=\\\"moveable\\\">\u00a0<\/div>\\n    <input id=\\\"faq-11\\\" type=\\\"checkbox\\\" \/>\\n    <h2 class=\\\"_SectionTitle\\\">\\n        <label class=\\\"convo-mobile\\\" for=\\\"faq-11\\\">02 <span class=\\\"_Fill right\\\">SURROGATES<\/span><\/label>\\n    <\/h2>\\n    <p class=\\\"full-size _SectionText\\\">\\n        <span class=\\\"_JoinMobile\\\">16.07.20 | 8.30pm CEST | \\n        <span style=\\\"text-decoration: underline;\\\">\\n            <a target=\\\"_blank\\\" href=\\\"https:\/\/scientificnet.zoom.us\/j\/92467311378?pwd=UVdHd2NFWTVLNkhxSnltM05aY0Fjdz09\\\">\\n                Join<\/a><\/span> \\n        | PW: 854262<\/span>\\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">A conversation with Francesco Garutti and Veronique Patteeuw \\n        moderated by L\u00e9a-Catherine Szacka<\/span> \\n        <br \/>\\n        <br \/>\\n        Since their emergence in the 18th century, architecture exhibitions have produced surrogates to buildings, pale \\n        copies of what stands outside and cannot enter the space of the gallery. Using \\n        technical drawings, models, photographs, and other artefacts, and facilitating acts \\n        of mental reconstruction, curators have restored original artefacts both presented \\n        and represented in exhibitions. But what if there is no original? What does the \\n        exhibition produce when the display goes beyond mere presentation\/representation of \\n        something that lies elsewhere? \\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">Francesco Garutti<\/span> is Curator Contemporary Architecture at \\n        the Canadian Centre for Architecture CCA in Montr\u00e9al. \\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">Veronique Patteeuw<\/span> is academic editor of OASE, associate \\n        professor at the Ecole National Sup\u00e9rieure d\u2019Architecture et du Paysage Lille and \\n        visiting professor at the KU Leuven.\\n    <\/p>\\n<\/div>\\n\\n<div class=\\\"section\\\">\\n    <div class=\\\"moveable\\\">\u00a0<\/div>\\n    <input id=\\\"faq-12\\\" type=\\\"checkbox\\\" \/>\\n    <h2 class=\\\"_SectionTitle\\\">\\n        <label class=\\\"convo-mobile\\\" for=\\\"faq-12\\\">03 <span class=\\\"_Fill right\\\">TRANSGRESSIONS<\/span><\/label>\\n    <\/h2>\\n    <p class=\\\"full-size _SectionText\\\">\\n        <span class=\\\"_JoinMobile\\\">23.07.20 | 6pm CEST | \\n        <span style=\\\"text-decoration: underline;\\\">\\n            <a target=\\\"_blank\\\" href=\\\"https:\/\/scientificnet.zoom.us\/j\/97582415833?pwd=Q2dLY2xwbEJ5bzYzeU16dGVhbWV2UT09\\\">\\n                Join<\/a><\/span> \\n        | PW: 854262<\/span>\\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">A conversation with Andres Jaque and Carlos M\u00ednguez Carrasco \\n        moderated by Roberto Gigliotti<\/span> \\n        <br \/>\\n        <br \/>\\n        In all the forms that it takes, an architecture exhibition always represents \\n        a privileged experimentation territory. This also means transgression of the \\n        disciplinary rules and traditional tools, devices and media used for the production \\n        of the artefacts presented in the show. Freed from both representation constraints, \\n        standards and norms connected to construction, the \u201cexhibition architect\u201d shows space \\n        using space and produces hybrids results that he\/she deliberately exposes to the \\n        influence of other disciplines, art above all. Putting architecture in touch with \\n        other disciplines leads us to see it through different eyes: one discipline reveals \\n        the other. Once disciplinary borders are questioned, there is no pre-defined medium \\n        or format for the exhibits contained in an architecture show. Today video, photography, \\n        visual arts and also performativity are not unexpected guests in the context of the \\n        architecture exhibition\u2026 \\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">Andres Jaque<\/span> is Founder Principal of the architectural \\n        practice OFFPOLINN (Office for Political Innovation) and curator. \\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">Carlos M\u00ednguez Carrasco<\/span> is Senior Curator at ArkDes, \\n        Sweden\u2019s national centre for architecture and design.\\n    <\/p>\\n<\/div>\\n\\n<div class=\\\"section\\\">\\n    <div class=\\\"moveable\\\">\u00a0<\/div>\\n    <input id=\\\"faq-13\\\" type=\\\"checkbox\\\" \/>\\n    <h2 class=\\\"_SectionTitle\\\">\\n        <label class=\\\"convo-mobile\\\" for=\\\"faq-13\\\">04 <span class=\\\"_Fill right\\\">IMAGES<\/span><\/label>\\n    <\/h2>\\n    <p class=\\\"full-size _SectionText\\\">\\n        <span class=\\\"_JoinMobile\\\">10.09.20 | 6pm CEST | \\n        <span style=\\\"text-decoration: underline;\\\">\\n            <a target=\\\"_blank\\\" href=\\\"https:\/\/scientificnet.zoom.us\/j\/92343481784?pwd=R3RKSGZjbk42RXRXLzdyYmhKYTl1dz09\\\">\\n                Join<\/a><\/span> \\n        | PW: 854262<\/span>\\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">A conversation with Shumi Bose and Jimenez Lai moderated by Davide Tommaso Ferrando<\/span> \\n        <br \/>\\n        <br \/>\\n        Web and social media have expanded the space of communication beyond its material \\n        boundaries, and yet, such expansion seems to have had little effects on exhibition \\n        formats. On the other hand, it can\u2019t be denied that during the last decade, \\n        institutions such as museums, Biennials and Triennials have implemented all sorts \\n        of strategies to take advantage of the potential of digital communication. \\n        Furthermore, the growing amount of digital content displayed in architecture \\n        exhibitions, from drawings to videos to VR installations, questions the traditional \\n        relationship between an absent original and its copies and representations. What \\n        all these phenomena have in common, is the translation of spaces into images: \\n        images that circulate at high speed on digital media, becoming the first and often \\n        the main point of access to the exhibitions themselves. The question is, then, \\n        what happens to architecture exhibitions, once the world appears to us as an endless \\n        and unstructured collection of images, texts and other data records, as Lev Manovich \\n        writes. \\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">Shumi Bose<\/span> is Senior Lecturer and Coordinator of Contextual \\n        Studies in Architecture at Central Saint Martins, London. \\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">Jimenez Lai<\/span> is member of the operation of cultural affairs \\n        Bureau Spectacular based in Los Angeles.\\n    <\/p>\\n<\/div>\\n\\n<div class=\\\"section\\\">\\n    <div class=\\\"moveable\\\">\u00a0<\/div>\\n    <input id=\\\"faq-14\\\" type=\\\"checkbox\\\" \/>\\n    <h2 class=\\\"_SectionTitle\\\">\\n        <label class=\\\"convo-mobile\\\" for=\\\"faq-14\\\">05 <span class=\\\"_Fill right\\\">TRANSFORMATIONS<\/span><\/label>\\n    <\/h2>\\n    <p class=\\\"full-size _SectionText\\\">\\n        <span class=\\\"_JoinMobile\\\">17.09.20 | 6pm CEST | \\n        <span style=\\\"text-decoration: underline;\\\">\\n            <a target=\\\"_blank\\\" href=\\\"https:\/\/scientificnet.zoom.us\/j\/94267244397?pwd=TUh1M1NVOEhSaUVVcWhqclZMT3I5Zz09\\\">\\n                Join<\/a><\/span> \\n        | PW: 854262<\/span>\\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">A conversation with Giovanna Borasi and Counterspace moderated by \\n        Roberto Gigliotti<\/span> \\n        <br \/>\\n        <br \/>\\n        Due to its performative agency the architecture exhibition possesses, beyond other \\n        meanings, the capability of literally influencing the behaviour of its actors. \\n        In the ephemeral character of the exhibition lays one of its more powerful \\n        strengths. It concentrates an enormous amount of energy in a certain place at a \\n        certain moment and this phenomenon has a big transformative potential. In this \\n        context the exhibition can be understood as an activist\u2019s tool making the \\n        appropriation of a derelict building or area as well as a device capable of \\n        strengthening community interactions. These actions, integrated in the exhibition \\n        act, span from actions as temporary forms of appropriation of the venues chosen \\n        for the exhibition to experiments that project visions on the development of a \\n        site. Do they have the power to become engines for urban and social transformation? \\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">Giovanna Borasi<\/span> is Director of the Canadian Centre for \\n        Architecture CCA in Montr\u00e9al. \\n        <br \/>\\n        <br \/>\\n        <span class=\\\"_Convo\\\">Counterspace<\/span> is a Johannesburg-based collaborative \\n        architectural studio, directed by Sumayya Vally.\\n        <br \/>\\n        <br \/>\\n    <\/p>\\n<\/div>\",\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 35\r\n    }\r\n  ]\r\n}","_links":{"self":[{"href":"https:\/\/archdis.projects.unibz.it\/home\/wp-json\/wp\/v2\/pages\/25","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archdis.projects.unibz.it\/home\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archdis.projects.unibz.it\/home\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archdis.projects.unibz.it\/home\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/archdis.projects.unibz.it\/home\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":0,"href":"https:\/\/archdis.projects.unibz.it\/home\/wp-json\/wp\/v2\/pages\/25\/revisions"}],"wp:attachment":[{"href":"https:\/\/archdis.projects.unibz.it\/home\/wp-json\/wp\/v2\/media?parent=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}